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ALBERTO BONILLA
The Professional Audition
Alberto Bonilla is an accomplished actor, director, and educator whose career spans more than fifty film and television credits, Broadway and regional theatre, and extensive work as a director. At the Maggie Flanigan Studio, Alberto brings decades of professional experience to The Professional Audition, helping serious actors develop the specific skills necessary to consistently bring their best work into the audition room and onto the self-tape.

STUDENT TESTIMONIALS

“I was placed in the intense reigns of Charlie Sandlan. I became a better artist, actor, friend, sibling and daughter because of the studio. Even now, I crave the studio every day. What I learned is present in my work every day. I truly believe in everything they stand for.”

Jes Macallan

“Maggie taught me that I could control my work, my acting, and to throw all of the bullshit out that I had in my head about ‘what I should be doing’ and to just listen and respond honestly, in the moment. She gave me a craft. She is, quite simply put, THE BEST.”

Piper Perabo

“Maggie Flanigan taught me the true meaning of artistry, passion, and professionalism. I am certain that I continue to work as an actress because of my training with Maggie. At every audition and every performance, her guiding voice is with me. It is a gift beyond measure.”

Andrea Anders
CONTACT
Address:
147 W 25th St 5th Floor
New York, NY 10001
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LATEST POSTS
Philosophy
Being a talented actor does not necessarily make you a good auditioner.
Many well-trained, gifted actors struggle to work consistently because they have never learned how to audition well. They become tense, self-conscious, overly concerned with getting the job, or so focused on doing everything “right” that the freedom and spontaneity of their acting disappear.
Auditioning is an art unto itself.
It requires preparation, confidence, flexibility, and the ability to make strong, specific choices quickly. Whether working in the room or on a self-tape, the actor must understand how to enter an audition prepared, handle adjustments, work within technical limitations, and then leave themselves alone enough for something truthful and unexpected to happen.
The goal is not to learn tricks for booking a job. It is to develop a reliable audition process.
Alberto’s extensive experience as both an actor and director gives students a practical understanding of what happens on both sides of the audition. He challenges actors to recognize the habits that undermine their work, sharpen their preparation, make compelling choices, and develop the confidence to walk into an audition without asking for approval.
At the Maggie Flanigan Studio, we believe a serious actor should be able to bring the quality of their training into every professional opportunity. The Professional Audition teaches actors how to do exactly that—to enter the room or step in front of the camera prepared, grounded, specific, and free, and to consistently show the industry the full extent of what they can do.


ACTING STUDIO NEW YORK NY
The Maggie Flanigan Studio is the leading acting studio in New York City where professional actors train for long careers. The acting programs at the drama school are based on the Meisner Technique and the work of Sanford Meisner. The two year acting program includes acting classes, movement classes, voice and speech for actors, commercial acting classes, on camera classes, cold reading, monologue, playwriting, script analysis and the Meisner Summer Intensive.

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Education & Training
Alberto received his BA in Theatre from Arizona State University and studied at the British American Dramatic Academy. He earned his MFA in Acting from Rutgers University’s Mason Gross School of the Arts.
In addition to his professional career, Alberto has taught film acting at NYU Tisch School of the Arts, Stella Adler Studio of Acting, CAP21, the American Academy of Dramatic Arts, and the Maggie Flanigan Studio.
Experience
Alberto has appeared in more than fifty film and television productions, with credits including The Sopranos, Last Week Tonight with John Oliver, Law & Order, The God Committee, Only Murders in the Building, FBI, and many others.
His theatre credits include the Broadway production of Marvin’s Room, along with regional productions of Our Town, The Bladeless, Much Ado About Nothing, and Twelfth Night.
As a director, Alberto’s work includes Look Back in Anger, Three Points Over the Vig, Leaving Lilly, Raft of the Medusa, Reality, Be a Good Little Widow, Macbeth, The Merchant of Venice, and King Lear, starring Austin Pendleton. His production of Richard III received the Queens TimesLedger “Kudos” Award. Most recently, Alberto workshopped his adaptation, Cymbeline: A Telenovela Melodramatic Western, as part of the Folger Theatre’s reading series.
Alberto is a member of Actors’ Equity Association and SAG-AFTRA, as well as HOLA and NALIP.
APPLY FOR ADMISSION
SIX-WEEK MEISNER SUMMER INTENSIVE

Begins September
11th, 2026

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